Reviews
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Reviews

124

“Gate 64”: Improv at the Airport

November 16, 2018

By Donasia Sykes Winnie, played by Jane Watt, is a vagrant performer who...

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Reviews

135

“Clara; Confessions” Longs for More Music

November 16, 2018

By Dana Zhang   “Clara; Confessions” offers a straightforward,...

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Reviews

936

“The Auschwitz Volunteer” is a Harrowing Tale of Bravery

November 16, 2018

By Austin Kaiser “The Auschwitz Volunteer” tells the story of Captain...

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“Natural Shocks”: A Powerful Delight of a Play

November 15, 2018

By James Bartholomew As far as openings go, you can do a lot worse than...

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Reviews

134

“Wake-Up Call” Is a Woke Approach to Death

November 15, 2018

By Austin Kaiser “Wake‑Up Call” is the story of Jerry Franklin...

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“The Rude Awakening”: Bold, Loud and Loving

November 15, 2018

By Chance Morgan   “Let’s talk about sex, baby. Let’s talk about you...

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Reviews

97

“Grounded” Prepares For Takeoff

November 15, 2018

By Austin Kaiser “Grounded,” a play by George Brant, is about...

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Reviews

121

“Inner Strength” Exposes the Pain and the Resilience of Life

November 15, 2018

By Mehr Gunawardena “Inner Strength” was a performance soaking in...

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Reviews

157

“Clara; Confessions”: A Brilliant Woman of Her Time

November 15, 2018

By Austin Kaiser “Clara; Confessions” is the story of...

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Reviews

310

“Melina: The Last Greek Goddess” is Gloriously Patriotic

November 15, 2018

By Mehr Gunawardena   The Greek actress, singer, and politician Melina...

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