Reviews
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Reviews

675

Bigfoot’s Empty Promise

October 7, 2018

By Nadia Asencio Alan Altschuler’s “Bigfoot Stole My Wife” promises...

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Reviews

2040

Made in the USSR: but where did she go?

October 7, 2018

By Mehr Gunawardena The audience flooded the intimate space, beaming with...

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Reviews

572

“The Terrible Legend of Victoria Woodhull” Has Some...

October 7, 2018

By Austin Kaiser “The Terrible Legend of Victoria Woodhull” is about...

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Reviews

694

“The Things They Carried” Is Too Heavy

October 5, 2018

By Austin Kaiser   “The Things They Carried” was adapted from...

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“Inheritance: a Litany” Bequeaths a Lively List of Love and Loss

October 5, 2018

By Alex Miller An unseen narrator. The ominous, low glow of three azure halogen...

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Reviews

730

Joe Charnitski’s Funeral: The Birth Of an Existential Crisis

October 5, 2018

By Mehr Gunawardena The description for this show reads “Joe Charnitski has...

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Reviews

1019

Confessions of a Mulatto Love Child

October 4, 2018

By Alex Miller Confronted with a subject as complex and multifaceted as...

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Reviews

1092

Squeaky Fromme Squeaks Along

October 4, 2018

By Kia Standard Brad Forenza’s play “Squeaky” takes the term “captive...

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Reviews

820

L.O.V.E.R. Ages Well

October 4, 2018

By Nadia Asencio Lois Robbins’ “L.O.V.E.R.” begins with a woman...

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Reviews

1323

Eleni Kourti’s “Magic” is Worth Believing In

October 3, 2018

By James Bartholomew It takes courage to be an actor. Not to mention talent,...

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