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Reviews

45

Heather Frank’s Strong Vocals and Flourishes of Sass Invite the Dreamers in “Destination New York”

January 23, 2020

By Cynthia Darling   Taking the stage at Pangea as part of...

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[Why] Don’t You Want Me Baby? in “Mandy Picks a Husband”

December 21, 2019

By Allyce Morrissey   “Mandy Picks a Husband” features...

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“Chocoholic,” A Humorous and Insightful Exploration into Addiction

December 17, 2019

By Molly Shimko   “Chocoholic” is, in the following...

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“Kafka’s Ape” is King of the Jungle

December 15, 2019

By James Bartholomew   When Franz Kafka first wrote “A Report...

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Giving the Accordion the Spotlight in “There’s An Accordion in My Closet”

December 14, 2019

By Cynthia Darling   One look at the stage, and we know...

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Reviews

215

“The Honorable Herbert Peabody” Strains to Weigh the...

December 13, 2019

By Leia Squillace   Obligatory interactions with...

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Reviews

151

“A Warehouse in Rochester” Gets Caught in its Own Thought Experiment

December 13, 2019

By Leia Squillace   To those who dare think that physics and theatre...

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“Anita Luna: The Diva,” Should Shine Brighter Than It Does

December 12, 2019

By Pat McAndrew   Anita Giovannini takes the audience...

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Casting Shadows in “54 Silhouettes”

December 12, 2019

By Kia Standard   “It’s not pride. It’s not stubbornness....

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Gimme A Kiss in “A KISS”

December 11, 2019

By Allyce Morrissey   A kiss is all Antonio Ligabue wants....

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