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Encounter With an “Empath”

December 8, 2018

By James Bartholomew “Empath” is a show brimming with emotions, but...

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An Evening of Celebration for the World’s Largest Solo Theatre Festival

November 20, 2018

By James Bartholomew On Sunday evening, November 18, 2018, United Solo...

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“Natural Shocks”: A Powerful Delight of a Play

November 15, 2018

By James Bartholomew As far as openings go, you can do a lot worse than...

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“The Rude Awakening”: Bold, Loud and Loving

November 15, 2018

By Chance Morgan   “Let’s talk about sex, baby. Let’s talk about you...

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Sing, O Muse, of “Melina”

November 14, 2018

By Chance Morgan   “I was born a Greek, and I will die...

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“Swansong” is a Performance for the Ages

November 12, 2018

By Alex Miller   “Swansong,” in which André de Vanny...

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“O” is a Marvel of Feminism and Genius

November 11, 2018

By Austin Kaiser   Eliza Martin’s “O” begins with a young woman...

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“Good Standing,” An Emotional Testimony

November 11, 2018

By Christopher Popple   “Good Standing” begins with Austin Archer...

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Memories Come to Life in “OTOSOTR”

November 9, 2018

By James Bartholomew   Resolution No.1428-326 was the unassuming name...

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A Mighty “Fancifool” Dazzles

November 3, 2018

By Nadia Asencio   Ananda Bena‑Weber’s “Fancifool” is...

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