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“The Rude Awakening”: Bold, Loud and Loving

November 15, 2018

By Chance Morgan   “Let’s talk about sex, baby. Let’s talk about you...

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Sing, O Muse, of “Melina”

November 14, 2018

By Chance Morgan   “I was born a Greek, and I will die...

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“Swansong” is a Performance for the Ages

November 12, 2018

By Alex Miller   “Swansong,” in which André de Vanny...

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“O” is a Marvel of Feminism and Genius

November 11, 2018

By Austin Kaiser   Eliza Martin’s “O” begins with a young woman...

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“Good Standing,” An Emotional Testimony

November 11, 2018

By Christopher Popple   “Good Standing” begins with Austin Archer...

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Memories Come to Life in “OTOSOTR”

November 9, 2018

By James Bartholomew   Resolution No.1428-326 was the unassuming name...

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A Mighty “Fancifool” Dazzles

November 3, 2018

By Nadia Asencio   Ananda Bena‑Weber’s “Fancifool” is...

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At the Apex of Tragedy, “Laughter is Therapy”

November 2, 2018

by Chance Morgan   From the moment director Ozzie Jones took to...

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When Mothers Break Down Walls, an Interview With Niv Petel

October 31, 2018

By Pat McAndrew, Editor-in-Chief, All About Solo   Niv Petel has worked in...

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A Well-Oiled “Machine”

October 31, 2018

By James Bartholomew   “Trifling, obsolete, and flat” is how famed...

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