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“O” is a Marvel of Feminism and Genius

November 11, 2018

By Austin Kaiser   Eliza Martin’s “O” begins with a young woman...

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“Good Standing,” An Emotional Testimony

November 11, 2018

By Christopher Popple   “Good Standing” begins with Austin Archer...

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Memories Come to Life in “OTOSOTR”

November 9, 2018

By James Bartholomew   Resolution No.1428-326 was the unassuming name...

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How Solo Performance Found Me, an Interview With Remi Rachuba

November 7, 2018

By Pat McAndrew, Editor-in-Chief, All About Solo   Remi Rachuba, a native...

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A Mighty “Fancifool” Dazzles

November 3, 2018

By Nadia Asencio   Ananda Bena‑Weber’s “Fancifool” is...

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Women Inspiring Women, an Interview With Viktoriya Papayani

November 2, 2018

By Pat McAndrew, Editor-in-Chief, All About Solo   Viktoriya Papayani,...

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At the Apex of Tragedy, “Laughter is Therapy”

November 2, 2018

by Chance Morgan   From the moment director Ozzie Jones took to...

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When Mothers Break Down Walls, an Interview With Niv Petel

October 31, 2018

By Pat McAndrew, Editor-in-Chief, All About Solo   Niv Petel has worked in...

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A Well-Oiled “Machine”

October 31, 2018

By James Bartholomew   “Trifling, obsolete, and flat” is how famed...

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Believe Women: Female Voices in Solo Performance

October 29, 2018

By Alex Miller Eighty‑one female solo performers bring some of this...

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